Gustav Klimt The Kiss (Le Baiser _ Il Baccio) paintingGustav Klimt Sea Serpents paintingVincent van Gogh Self Portrait painting
have often thought about Hermann. He was a remarkable man in his way, and though it is difficult to forget his treachery to Varus, Varus had done much to provoke the revolt and Hermann and his men were certainly fighting for liberty. They had a genuine contempt for the Romans. They could not understand in what sense openly practised vices which in Germany, if they ever came to light-but this was seldom- were punished by smothering both culprits in mud under a hurdle. As for German cowardice, all barbarous people are cowards. If Germans ever become civilized it will then be time to judge whether they are cowards or not. They seem, however, to be an exceptionally nervous the extremely severe discipline in the Roman army under Varus, Tiberius, and almost every other general but my father and my brother, differed from downright slavery. They were shocked at the disciplinary floggings and regarded the system of paying soldiers at so much a day, instead of engaging them by promises of glory and plunder, as most base. The Germans have always been very chaste in their morals and Roman officers
Showing posts with label Gustav Klimt The Kiss (Le Baiser _ Il Baccio) painting. Show all posts
Showing posts with label Gustav Klimt The Kiss (Le Baiser _ Il Baccio) painting. Show all posts
Wednesday, October 22, 2008
Monday, June 30, 2008
Gustav Klimt The Kiss (Le Baiser _ Il Baccio) painting
Gustav Klimt The Kiss (Le Baiser _ Il Baccio) painting
Leonardo da Vinci The Last Supper painting
the night wind beyond it, of a vast starry sky, and the light from Diana's window shining out through the gap in the trees. Here there was nothing of this; Anne knew that outside of her window was a hard street, with a network of telephone wires shutting out the sky, the tramp of alien feet, and a thousand lights gleaming on stranger faces. She knew that she was going to cry, and fought against it.
"I won't cry. It's silly--and weak--there's the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there's nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I'm going home next Friday, but that seems a hundred years away. Oh, Matthew is nearly home by now--and Marilla is at the gate, looking down the lane for him--six--seven--eight-- oh, there's no use in counting them! They're coming in a flood presently. I can't cheer up--I don't want to cheer up. It's nicer to be miserable!"
Leonardo da Vinci The Last Supper painting
the night wind beyond it, of a vast starry sky, and the light from Diana's window shining out through the gap in the trees. Here there was nothing of this; Anne knew that outside of her window was a hard street, with a network of telephone wires shutting out the sky, the tramp of alien feet, and a thousand lights gleaming on stranger faces. She knew that she was going to cry, and fought against it.
"I won't cry. It's silly--and weak--there's the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there's nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I'm going home next Friday, but that seems a hundred years away. Oh, Matthew is nearly home by now--and Marilla is at the gate, looking down the lane for him--six--seven--eight-- oh, there's no use in counting them! They're coming in a flood presently. I can't cheer up--I don't want to cheer up. It's nicer to be miserable!"
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