Fabian Perez white and red paintingFabian Perez Fabian Perez Venice paintingFabian Perez Fabian Perez Tango painting
of seventy-four tiny moles, all brown, were disposed about her epidermis, five of them bearing at least one hair. Her earlobes were extremely small, scarcely pendant; a thumbnail-sizecafé-au-lait birthmark was half concealed, when she stood, in the crease below her right buttock. Her anus -- unlike her lips, tongue, nipples, clitoris, and urethra -- was neither rosy nor granular, but of the same smooth beige-pink as the skin of her hams. Her navel, shallowly recessed, was bilobular, not unlike the East-Campus symbol for polarity.
"Measure me," she said. With the aid of several kinds of scales, a tape, calipers, and other devices lying about the room, I discovered that the total weight of Anastasia's body was 50.4 kilograms, of which her head and neck accounted for 2.25, her arms for a kilo apiece, her breasts for less than a half-kilo each, and her legs for almost six together. Her height was 1.63 meters standing, about six millimeters more reclining; an average hair on her head was twenty-three centimeters in length, on her armpit (not recently shaven, she said) one centimeter, on hermons veneris three. The girth of her forehead was fifty-nine
Showing posts with label Fabian Perez white and red painting. Show all posts
Showing posts with label Fabian Perez white and red painting. Show all posts
Sunday, September 14, 2008
Thursday, June 19, 2008
Fabian Perez white and red painting
Fabian Perez white and red painting
Johannes Vermeer Girl with a Pearl Earring painting
the scene of hospitality, and from doing so derived their Saxon title of honour, which signifies “the Dividers of Bread.”
To each of these chairs was added a footstool, curiously carved and inlaid with ivory, which mark of distinction was peculiar to them. One of these seats was at present occupied by Cedric the Saxon, who, though but in rank a thane, or, as the Normans called him, a Franklin, felt, at the delay of his evening meal, an irritable impatience, which might have become an alderman, whether of ancient or of modern times.
It appeared, indeed, from the countenance of this proprietor, that he was of a frank, but hasty and choleric temper. He was not above the middle stature, but broad-shouldered, long-armed, and powerfully made, like one accustomed to endure the fatigue of war or of the chase; his face was broad, with large blue eyes, open and frank features, fine teeth, and a well-formed head, altogether expressive of that sort of good-humour
Johannes Vermeer Girl with a Pearl Earring painting
the scene of hospitality, and from doing so derived their Saxon title of honour, which signifies “the Dividers of Bread.”
To each of these chairs was added a footstool, curiously carved and inlaid with ivory, which mark of distinction was peculiar to them. One of these seats was at present occupied by Cedric the Saxon, who, though but in rank a thane, or, as the Normans called him, a Franklin, felt, at the delay of his evening meal, an irritable impatience, which might have become an alderman, whether of ancient or of modern times.
It appeared, indeed, from the countenance of this proprietor, that he was of a frank, but hasty and choleric temper. He was not above the middle stature, but broad-shouldered, long-armed, and powerfully made, like one accustomed to endure the fatigue of war or of the chase; his face was broad, with large blue eyes, open and frank features, fine teeth, and a well-formed head, altogether expressive of that sort of good-humour
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