Theodore Chasseriau Apollo and Daphne painting

Theodore Chasseriau Apollo and Daphne painting
Jean Auguste Dominique Ingres Virgin of the Adoption painting
landscape over which Gilbert's crow had flown. The hills and fields were dry and brown and warm, ready to break into bud and blossom; the harbor was laughter-shaken again; the long harbor road was like a gleaming red ribbon; down on the dunes a crowd of boys, who were out smelt fishing, were burning the thick, dry sandhill grass of the preceding summer. The flames swept over the dunes rosily, flinging their cardinal banners against the dark gulf beyond, and illuminating the channel and the fishing village. It was a picturesque scene which would at other times have delighted Anne's eyes; but she was not enjoying this walk. Neither was Gilbert. Their usual good-comradeship and Josephian community of taste and viewpoint were sadly lacking. Anne's disapproval of the whole project showed itself in the haughty uplift of her head and the studied politeness of her remarks. Gilbert's mouth was set in all the Blythe obstinacy, but his eyes were troubled. He meant to do what he believed to be his duty; but to be at outs with Anne was a high price to pay. Altogether, both were glad when they reached the light--and remorseful that they should be glad.
Captain Jim put away the fishing net upon which he was working, and welcomed th