Sunday, September 21, 2008

Marc Chagall The Three Candles painting

Marc Chagall The Three Candles paintingMarc Chagall Paris Through the Window paintingMarc Chagall Lovers in the Moonlight painting
running down the path to greet him. As summer approached they went for drives in the evening among leafy Warwickshire lanes. In June they were engaged. Tom was exhilarated, sometimes almost dizzy at the experience, but he hesitated to tell his mother. “After all,” he reflected, “it is not as though I were Gervase,” but in his own heart he knew that there would be trouble.
Gladys came of a class accustomed to long engagements seemed a remote prospect; an engagement to her signified the formal recognition that she and Tom spent their spare time in one another’s company. Her mother, with whom she lived, accepted him on these terms. In years to come, when Tom had got his place in the London showrooms, it would be time enough to think about marrying. But Tom was born to a less patient tradition. He began to speak about a in the autumn.
“It would be lovely,” said Gladys in the tones she would have employed about winning the Irish sweepstake.
He had spoken very little about his family. She understood, vaguely, that they lived

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