Filippino Lippi Adoration of the Child paintingBartolome Esteban Murillo Madonna and Child painting
brought him suddenly close to tears. Mannix. A cold horror came over him. Far down, profoundly, Mannix was so much a marine that it could make him casually demented. The corruption begun years ago in his drill-field feet had climbed up, overtaken him, and had begun to rot his brain. Culver heard himself sobbing with frustration and outrage. The sun beat down against his back. His mind slipped off into fevered blankness, registering once more, on that crazy cinematic tape, chaos, vagrant jigsaw images: Mannix's voice far ahead, hoarse and breaking now, then long spells of silence; halts beside stifling, windless fields, then a shady ditch into which he plunged, feverish and comatose, dreaming of a carnival tent where one bought, from a dozen barrels, all sorts of ice, chipped, crushed, and cubed, in various shapes and sizes. He was awakened by that terrible cry— Saddle up, saddle up!—and he set out again. The sun rose higher and higher. O'Leary, with a groan, dropped behind and va
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