Picasso Family at Saltimbanquesc painting

Picasso Family at Saltimbanquesc painting
Lempicka Sketch of Madame Allan Bott painting
and raising his neck, the better to mark time for himself. The noise of the instrument drove away the little birds from afar.
The table was laid under the cart-shed. On it were four sirloins, six chicken fricassees, stewed veal, three legs of mutton, and in the middle a fine roast suckling pig, flanked by four chitterlings with sorrel. At the corners were decanters of brandy. Sweet bottled-cider frothed round the corks, and all the glassesThe brick front was just in a line with the street, or rather the road. Behind the door hung a cloak with a small collar, a bridle, and a black leather cap, and on the floor, in a corner, were a pair of leggings, still covered with dry mud. On the right was the one apartment, that was both dining and sitting room. A canary yellow paper, relieved at the top by a garland of pale flowers, was puckered everywhere over the badly stretched canvas; white calico curtains with a red border hung crossways at the length of the window; and on the narrow mantelpiece a clock with a head of Hippocrates shone resplendent between two plate candlesticks under oval shades. On the other side of the passage was Charles’s consulting room, a little room about six paces wide, with a table, three chairs, and an office chair. Volumes of the Dictionary of Medical Science, uncut, but the binding rather the worse for the successive sales through which they had gone, occupied almost along the six shelves of a deal