Monet La Japonaise painting

Monet La Japonaise painting
Perez Tango painting
Vinci The Last Supper painting
Picasso The Old Guitarist painting
Mrs. Ferrars was a little, thin woman, upright, even to formality, in her figure, and serious, even to sourness, in her aspect. Her complexion was sallow: and her features small, without beauty, and naturally without expression: but a lucky contraction of the brow had rescued her countenance from the disgrace of insipidity, by giving it the strong characters of pride and ill-nature. She was not a woman of many words: for, unlike people in general, she proportioned them to the number of her ideas; and of the few syllables that did escape her, not one fell to the share of Miss Dashwood, whom she eyed with the spirited determination of disliking her at all events.
Elinor could not now be made unhappy by this behaviour. A few months ago it would have hurt her exceedingly; but it was not in Mrs. Ferrars's power to distress her by it now; and the difference of her manners to the Miss Steeles -- a difference which seemed purposely made to humble her more -- only amused her. She could not but smile to see the graciousness of both mother and daughter towards the very person -- for Lucy was particularly distinguished -- whom of all others, had they known as much as she did, they would have been most anxious to mortify; while she herself, who had comparatively no power to wound them, sat pointedly slighted by both. But while she smiled at a graciousness so misapplied, she could