Ford Madox Brown paintings

Ford Madox Brown paintings
Federico Andreotti paintings
"The case," said Sherlock Holmes as we chatted over our cigars that night in our rooms at Baker Street, "is one where, as in the investigations which you have chronicled under the names of "A Study in Scarlet" and of `The Sign of Four,' we have been compelled to reason backward from effects to causes. I have written to Lestrade asking him to supply us with the details which are now wanting, and which he will only get after he has secured his man. That he may be safely trusted to do, for although he is absolutely devoid of reason, he is as tenacious as a bulldog when he once understands what he has to do, and, indeed, it is just this tenacity which has brought him to the top at Scotland Yard."
"Your case is not complete, then?" I asked.
"It is fairly complete in essentials. We know who the author of the revolting business is, although one of the victims still escapes us. Of course, you have formed your own conclusions."
"I presume that this Jim Browner, the steward of a Liverpool boat, is the man whom you suspect?"
"Oh! it is more than a suspicion."